Rosalía releases ‘Berghain’, the first single from her new album, today at 4:00 p.m. (UK time)

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Rosalía is back in full force: her new song ‘Berghain’ marks the beginning of a more intimate, radical, and luminous era.

At exactly 4:00 p.m. this Monday, Rosalía flipped the switch on a brand-new chapter. ‘Berghain’, the first single from ‘Lux’, is now out — and it doesn’t just open a new musical stage, but also a deeply personal one for the Catalan artist. With this release, she once again reshapes contemporary pop, stepping away from the urban pulse of ‘Motomami’ to embrace a sound that’s more ethereal, spiritual, and orchestral.

Named after the legendary Berlin club known for its strict door policy and mobile phone ban, the song carries an atmosphere as dark as it is alluring. But this time, there’s no reggaeton or distorted flamenco — instead, there are strings, silence, and spaciousness. There’s contemplation. ‘Berghain’ isn’t a dance track; it’s an invocation from the soul.

Just a week after announcing ‘Lux’, the album set to be released on 7 November, Rosalía proves that no formula can contain her. Recorded with the London Symphony Orchestra and structured in four acts, the record features 15 tracks in its digital edition and 18 on vinyl and CD. Collaborations with artists such as Björk, Carminho, Estrella Morente, Silvia Pérez Cruz, and Yves Tumor hint at its multifaceted nature — a fusion of feminine mysticism, identity, transformation, and the urge to transcend commercial success.

“It’s the first time I haven’t been afraid to fail,” she admitted recently. And it shows. In ‘Berghain’, her voice emerges from a deeper place, with no need to shout to be heard. A subtle melody — which some fans had already deciphered from a sheet she shared online — unfolds like a mantra: the prelude to what’s to come.

On 7 November, Rosalía will premiere the full album live at the Roig Arena, in a show designed exclusively to introduce this new phase. It will mark the beginning of a journey where light — the essence that gives the album its name — becomes more than an aesthetic. It’s an intention. A language. A rebirth.